Souvenir from Garfunkel’s, a restaurant in London’s Piccadilly Circus. I wanted to have it sitting on an image of Mary Poppins, but couldn’t get the lighting right.
I ate at Garfunkel’s right after an apparent bomb threat in Piccadilly Circus in August 1998, and perhaps during it. I had just been taking a photo of one of the square’s statues and when I looked around I found I was in the middle of a taped-off area. For some reason the police didn’t notice me there in plain sight. Troops were marching into the square and I quickly got on the good side of the tape. Police were pushing everyone further and further back from the area, and when I asked an officer how far we should go, he said, “It depends on how much you want to live.” They stopped pushing just before Garfunkel’s, and it was supper time, so I supped there. The staff told me bomb threats were a common occurrence and everyone had a sheet of questions to ask anyone calling in with a threat. I couldn’t find anything in the news about the incident afterward.
I was in London for the Babylon 5 Wrap Party. Harlan Ellison served me black pudding in his pajamas there, and I got to put a tipsy James White to bed one night.
The statue photo was the last one on the roll and didn’t turn out, of course.
Marsilea quadrifolia. In Ongley Pond at the White Memorial Conservation Center in Litchfield, CT.
This is a good example for not getting rid of old photos. When I took it, it was a muddy mess and I didn’t have the tools to clean it up. When it came up randomly in a picture picker recently, I ran it through PhotoShop and was able to make it presentable. The hidden detail was surprising.
A despicable red pull-tab from a can of Cheerwine cherry soda. This was one of the most difficult things I’ve tried to photograph. The camera just didn’t want to focus on it in any light or background. I put it against a black background to make it look darker and redder and despicabler.
Photographed for this week’s Macro Mondays challenge, “Pareidolia” (seeing faces and other familiar shapes in unrelated things).
One way to make a photo more disturbing is to turn it not obviously upside down. Viewers can tell something’s wrong, but they’re not sure what. Other ways are to make it slightly redder and the lighting a bit harsher.