For this week’s FlickrFriday challenge “Second Wind” and Macro Mondays challenge “High Key”.
To get the high key effect, I used the white space of Macro Monday’s discussion of the theme as the background, and used a full-spectrum light on the front of the fan, from off to the right. This really brought out the texture.
Unlike another striped cat, Tigress loves Mondays. They mean she might dress up and pose for a Macro Mondays challenge, which for this week is “Queen”. What’s the point of being an action figure if you don’t get any action? Today she feels like royalty!
For her raiment, she’s chosen a crown with a stunning blue tiger’s eye stone. Because she’s a tiger, and she’s got a good eye for haute couture, which is this week’s FlickrFriday challenge.
This is another successful experiment in depth perception, and the use of a tablet for lighting and effects. I found a stock photo of London to display on the tablet, which is propped just two inches behind Tigress. The brightness of the tablet darkened her front, so I lit her with a full spectrum lamp. When I brightened the photo in Photoshop, the effect of the lamp made the background look like a bright sunlit day, and the bokeh makes it look like a realistic distance behind her.
When you know your camera’s disadvantages, you can use them to your advantage. I’ve found mine has trouble focusing on small bright shiny objects for macros. Too close and it wants me to turn on the flash. Turn on the flash and it won’t focus on the object, or it’ll wash it out.
For this photo I managed to balance all the exceptions to get a spacey science fictiony new agey album/book cover of an orb, slightly out of focus. With the albedo, it looks like it could be a moon of a gas giant.
I used a frosted glass marble on white paper in low lighting with the flash off. No editing was done except for the signature.
Malus pumila. At the Connecticut State Colleges & Universities (CSCU) main offices in Hartford, CT.
I did try to brighten up the photo because the day was overcast, but that washed out all the subtle details and made the colors garish, so I left it as it was taken. It looks much better in the natural light, unedited.
This photo was taken in bright light without flash on auto focus, but the camera overcompensated for the light and darkened the area around the fixture. I love the shades of brown that resulted. The ceiling itself is actually white. No editing was done besides the signature.
This photo was taken in low light without flash with the slowest shutter speed on the camera. Despite the dimness, the long exposure collected enough light to wash out the subject. No editing was done other than the signature.
Some dead leaves still have a little bit of green in them and turn to vampirism, sucking the remaining life from the veins of other leaves to preserve their own. They can only be destroyed by strong light or driving a rake through them.
This photo is backlit by a computer monitor, with no zoom, getting right up in the creature’s face. The leaf is lying flat on my desk, but the angle of the lighting makes it look like it’s standing up.
I did nothing to the leaf to create the demonic face, bat wing profile, and expression of dreading the light behind it. I found it like that.